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St Gregory of Nyssa On the Making of Man, Complete

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Page 9

IV. That the construction of man throughout signifies his ruling power [1597] .

1. For as in our own life artificers fashion a tool in the way suitable to its use, so the best Artificer made our nature as it were a formation fit for the exercise of royalty, preparing it at once by superior advantages of soul, and by the very form of the body, to be such as to be adapted for royalty: for the soul immediately shows its royal and exalted character, far removed as it is from the lowliness of private station, in that it owns no lord, and is self-governed, swayed autocratically by its own will; for to whom else does this belong than to a king? And further, besides these facts, the fact that it is the image of that Nature which rules over all means nothing else than this, that our nature was created to be royal from the first. For as, in men's ordinary use, those who make images [1598] of princes both mould the figure of their form, and represent along with this the royal rank by the vesture of purple, and even the likeness is commonly spoken of as "a king," so the human nature also, as it was made to rule the rest, was, by its likeness to the King of all, made as it were a living image, partaking with the archetype both in rank and in name, not vested in purple, nor giving indication of its rank by sceptre and diadem (for the archetype itself is not arrayed with these), but instead of the purple robe, clothed in virtue, which is in truth the most royal of all raiment, and in place of the sceptre, leaning on the bliss of immortality, and instead of the royal diadem, decked with the crown of righteousness; so that it is shown to be perfectly like to the beauty of its archetype in all that belongs to the dignity of royalty.

V. That man is a likeness of the Divine sovereignty [1599] .

1. It is true, indeed, that the Divine beauty is not adorned with any shape or endowment of form, by any beauty of colour, but is contemplated as excellence in unspeakable bliss. As then painters transfer human forms to their pictures by the means of certain colours, laying on their copy the proper and corresponding tints, so that the beauty of the original may be accurately transferred to the likeness, so I would have you understand that our Maker also, painting the portrait to resemble His own beauty, by the addition of virtues, as it were with colours, shows in us His own sovereignty: and manifold and varied are the tints, so to say, by which His true form is portrayed: not red, or white [1600] , or the blending of these, whatever it may be called, nor a touch of black that paints the eyebrow and the eye, and shades, by some combination, the depressions in the figure, and all such arts which the hands of painters contrive, but instead of these, purity, freedom from passion, blessedness, alienation from all evil, and all those attributes of the like kind which help to form in men the likeness of God: with such hues as these did the Maker of His own image mark our nature.

2. And if you were to examine the other points also by which the Divine beauty is expressed, you will find that to them too the likeness in the image which we present is perfectly preserved. The Godhead is mind and word: for "in the beginning was the Word [1601] " and the followers of Paul "have the mind of Christ" which "speaks" in them [1602] : humanity too is not far removed from these: you see in yourself word and understanding, an imitation of the very Mind and Word. Again, God is love, and the fount of love: for this the great John declares, that "love is of God," and "God is love [1603] ": the Fashioner of our nature has made this to be our feature too: for "hereby," He says, "shall all men know that ye are my disciples, if ye love one another [1604] ":--thus, if this be absent, the whole stamp of the likeness is transformed. The Deity beholds and hears all things, and searches all things out: you too have the power of apprehension of things by means of sight and hearing, and the understanding that inquires into things and searches them out.

[1597] The title in the Bodleian Latin ms. is:--"Of the kingly dignity of the human form."

[1598] It is not clear whether the reference here is to painting or to sculpture, of which the product was afterwards painted. The combination of anamassontai and sumparagraphousi suggests the latter.

[1599] In the Bodleian Latin ms. the title is:--"How the human soul is made in the image of God."

[1600] lamprotes. The old Latin version translates this by "purpurissus."

[1601] S. John i. 1

[1602] Cf. 1 Cor. ii. 16; and 2 Cor. xiii. 3

[1603] 1 S. John iv. 7, 8.

[1604] S. John xiii. 35 (not verbally).

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