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Gregory Nazianzen the Theologian On his Sister Gorgonia (Oration VIII), Complete

Translated by Ch. Browne and J. Swallow.

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9. The divine Solomon, in his instructive wisdom, I mean his Proverbs, praises the woman [3009] who looks to her household and loves her husband, contrasting her with one who roams abroad, and is uncontrolled and dishonourable, and hunts for precious souls with wanton words and ways, while she manages well at home and bravely sets about her woman's duties, as her hands hold the distaff, and she prepares two coats for her husband, buying a field in due season, and makes good provision for the food of her servants, and welcomes her friends at a liberal table; with all the other details in which he sings the praises of the modest and industrious woman. Now, to praise my sister in these points would be to praise a statue for its shadow, or a lion for its claws, without allusion to its greatest perfections. Who was more deserving of renown, and yet who avoided it so much and made herself inaccessible to the eyes of man? Who knew better the due proportions of sobriety and cheerfulness, so that her sobriety should not seem inhuman, nor her tenderness immodest, but prudent in one, gentle in the other, her discretion was marked by a combination of sympathy and dignity? Listen, ye women addicted to ease and display, who despise the veil of shamefastness. Who ever so kept her eyes under control? Who so derided laughter, that the ripple of a smile seemed a great thing to her? Who more steadfastly closed her ears? And who opened them more to the Divine words, or rather, who installed the mind as ruler of the tongue in uttering the judgments of God? Who, as she, regulated her lips?

10. Here, if you will, is another point of her excellence: one of which neither she nor any truly modest and decorous woman thinks anything: but which we have been made to think much of, by those who are too fond of ornament and display, and refuse to listen to instruction on such matters. She was never adorned with gold wrought into artistic forms of surpassing beauty, nor flaxen tresses, fully or partially displayed, nor spiral curls, nor dishonouring designs of men who construct erections on the honourable head, nor costly folds of flowing and transparent robes, nor graces of brilliant stones, which color the neighbouring air, and cast a glow upon the form; nor the arts and witcheries of the painter, nor that cheap beauty of the infernal creator who works against the Divine, hiding with his treacherous pigments the creation of God, and putting it to shame with his honour, and setting before eager eyes the imitation of an harlot instead of the form of God, so that this bastard beauty may steal away that image which should be kept for God and for the world to come. But though she was aware of the many and various external ornaments of women, yet none of them was more precious to her than her own character, and the brilliancy stored up within. One red tint was dear to her, the blush of modesty; one white one, the sign of temperance: but pigments and pencillings, and living pictures, and flowing lines of beauty, she left to women of the stage and of the streets, and to all who think it a shame and a reproach to be ashamed.

[3009] Prov. xxxi. 10.

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